Sampsonia Way in Brussels




Brussel’s Town Hall, where the Mayor of Brussels, Freddy Thielemans, welcomed members of Halma, PEN International, and ICORN

Last week, Brussels, Belgium was an epicenter of international literature and a meeting point for literary freedom of speech.

As part of the biannual Passa Porta Literary Festival, organizations like the International Cities of Refugees Network (ICORN), the PEN’s Writers in Prison Committees (WiPC), and the literary centers’ network in Europe, Halma, had their own annual meetings while sharing some workshops and attending a common opening event.

Sampsonia Way managing editor, Silvia Duarte, traveled there and met some writers, organizers, and representatives from all the organizations in attendance. In the following weeks we will publish interviews, speeches, readings, debates, and discussions that took place in the Belgian capital.

Read the first interview: Paul Buekenhout, Passa Porta’s coordinator, talks about the biggest literary festival in Brussels.

Read “Is Jasmine a Chinese Flower”, a speech of the Independent Chinese PEN Center President, Tienchi Martin-Liao.

Read the statement of Marian Botsford Fraser, the chair of PEN International’s Writers in Prison Committee.

Read a letter by a writer imprisoned during the Cuban Black Spring.

Read a Conversation on Translation. Dalkey Archive Press’ publisher John O’Brien talked to three authors featured in Best European Fiction: Igor Štiks from Croatia, Gonçalo M. Tavares from Portugal, and Peter Terrin from Belgium.

Passa Porta Festival On the Move

Sampsonia Way in Brussels

Passa Porta is Brussels’s international house of literature. Passa Porta is a meeting place for readers and writers, a space where the link between Dutch, French, and foreign-language literature is reinforced.

Every two years, Passa Porta directs its Literature Festival in collaboration with many other local and international partners. From March 24th to 27th Brussels beats to the rhythm of the Passa Porta Festival: four days of meetings, discussions, and festivities, attended by more than 8 thousands lovers of literature.

The theme of this third festival was On The Move:. “Moving, leaving, traveling, losing the way, and escaping… Whether man is a nomad or not, an adventurer or an exile, he is constantly on the move by force of habit, out of curiosity, necessity and love. In total liberty, but often under duress too…” states Passa Porta’s website.

The festival reached its climax with a grand literary tour in the city center on Sunday March 27th. Throughout the day, more than 8 thousand literature fans were treated to 100 encounters and talks with a wide range of authors in theaters, bookshops and libraries, as well as in cafés, churches and train stations.

The international guests included Philippe Claudel, Péter Esterházy, David Mitchell, Jean-Philippe Toussaint, Sandro Veronesi, Douglas Kennedy, Mathieu Amalric, and Juli Zeh.

Paul Buekenhout, Passa Porta Paul Buekenhout

In this interview, Paul Buekenhout, Passa Porta project coordinator, talks about this great and sui generis project.

What have been your biggest achievements in all these years of the festival?

We are now able to serve audiences that speak different languages. For me, that is a major achievement. It is important to represent different languages here. Brussels is a multi-lingual city; it is a multi-cultural city. All of these cultures have their own networks and activities, but with the Passa Porta Festival we try to bring them all together. And it is working. It could be better, but so far we are doing a great job, if I may say so.

So, you are offering a kind of passport from one culture to another culture…

Exactly. Yesterday (Friday, March 25) there was quite a mix of cultures and languages present in the theater—not just on stage, but also in the audience. I love that.


Voyage autour de chez moi. A multi-disciplinary travel report about weeks’ expedition around the Beguinage church. Testimonies and life stories were jotted down in a caravan. Photo: Antonio Pistis

Is the mix of languages what makes this Festival sui generis around the world?

Yes. The multi-linguism of this festival is a characteristic that sets it apart from other literary events. In Scotland there is a huge event called the Edinburgh Festival of Literature. It is bigger than ours, but every author speaks English, and the audience is composed primarily of English-speaking Brits and Scots. Anyone who doesn’t understand English is lost. That’s not the case here.

Here, we communicate in Dutch, French, and English, and at the festival events themselves there are about 15 different languages spoken. Last year I believe there were 22. That is different from the other festivals, and it’s the main characteristic that sets us apart.

Another aspect that makes our festival unique is the amount that we cooperate with other organizations. Whereas most other festivals work with one, two, or three other partners, we cooperate with dozens of organizations. Our festival is not perfect, but I think we are on the right track.

Are only writers invited to the events?

It has to do with the theme. Right now because the theme is On the Move we have a lot of writers who are travelers, non-fiction writers, philosophers and also journalists. Politicians are invited only on the condition that they work with our team. We won’t give a forum to a politician just like that.


Orhan Pamuk. The festival closed with the Turkish Nobel prizewinner Orhan Pamuk, who reflected on the theme On the move. Photo: Katriene Degreef

Why is this festival important to Brussels?

This festival is important for the city because, in a way, Brussels does not have a good reputation. Abroad, Brussels is considered a kind of phantom city; a city where big decisions are made by phantoms; the neighborhood where the European Parliament is located; a kind of rich ghetto—it’s a fortress. People don’t have much sympathy for this. But Brussels has much more things to offer. The festival is the best marketing campaign that the city has ever had.

What was the most difficult obstacle you confronted during the organization of this festival?

Well, there are more than 120 authors coming, which is quite a lot. Every author has to be invited, and of course not every author accepts. So we have to invite about 200 authors in order to end up with 120. A lot of work goes into this process. After the invitation you have to brief them, find all these different venues and speak with all of these business partners.

You also organized international projects to present at the program; projects that have also appeared in great publications… Could you talk about them?

Last edition, we did the “European Constitution in Verse” project. The idea was that if politicians can’t or won’t give their people a constitution, then poets will create one in verse. We had about 52 poets—at least one from each European country—and not just European citizens, but also poets who live and work in European countries. A lot of ICORN and PEN writers, as well as refugees participated in the project. These 52 writers spoke about 30 different languages among them—minority languages included. And we had to translate all of it into French, Dutch, and English. There were more than 70 translators involved.

“Letters to Europe” presented on Friday in this Festival was a bit easier. We had 22 writers from different countries composing letters to Europe. We had to translate these as well. These are crazy projects. But they were splendid. All this is creation, and it’s difficult, but it’s very rewarding.

Read more about Sampsonia Way in Brussels

Shahriar Mandanipour: Don’t Judge Iran by its Government


Because of his controversial novel, Censoring an Iranian Love Story, Shahriar Mandanipour can’t return to Iran, his native country.

The book, his first translated into English, braids together the story of a writer attempting to pen a romance acceptable to the censors and the tale of two young lovers trying to connect in a country where being together could cost them their lives.

Mandanipour read at City of Asylum/Pittsburgh in November 2010. In this video clip, he answers questions from the audience and discusses the inherent difficulties translating from Farsi to English, the history of Persian literature, and some misconceptions regarding Iran’s literary culture.

For more on this writer, read Elizabeth Hoover’s interview with Shahriar Mandanipour.

Readings at City of Asylum/Pittsburgh: Khet Mar



Featuring Khet Mar, Michelle Gil-Montero and Román Antopolsky


Video: James Muller / Kevin Ramser

On March 3rd, City of Asylum/Pittsburgh conducted what was possibly its most unique event to date. That Tuesday night, those in attendance at 330 Sampsonia Way were treated to a reading of material from Burmese writer-in-residence Khet Mar, whose stories and poems were presented in Burmese, English, and Spanish!

Khet Mar read the English translation of her “Prison Story” (forthcoming in Carpe Articulum). Translator Michelle Gil-Montero followed, reading an English version of another Khet Mar story which was translated by her St. Vincent College creative writing class with Khet Mar’s participation.

Khet Mar also read several of her poems in their original Burmese, with Gil-Montero following in English, and Argentine poet and translator Román Antopolsky reading his Spanish translation of the same work.

You can watch an excerpt of the multicultural evening–Khet Mar’s poem “Melancholy” read in Burmese, English, and Spanish–above. Listen carefully; each translation of the poem has its own pacing and characteristics, yet all of the works remain linked through their content and origin, like a family of voices speaking together.

About the Writers

KHET MAR (Burma, City of Asylum/Pittsburgh) is a journalist, novelist, fiction writer and essayist from Burma. Author of one novel, Wild Snowy Night (1995), as well as several collections of short stories, essays and poems, her work has been translated into English and Japanese, broadcast on radio and made into a film. Khet Mar is the current exiled writer-in-residence in City of Asylum/Pittsburgh. She has written the text and her husband, the visual artist Than Htay, created the new artwork on the façade of 324 Sampsonia Way.

Khet Mar is one of a group of international writers who will be traveling to Gettysburg, New Orleans, the Gulf Coast, Birmingham, and Baltimore, to examine the different challenges presented by historical crises and upheaval. The program is sponsored by the State Department. The writers were selected by the International Writing Program of the University of Iowa. Khet Mar will be blogging during her travel in Burmese and English on sampsoniaway.org.

Read a recent Pittsburgh Post Gazette article on Khet Mar and her new life in Pittsburgh’s North Side as writer-in-residence at City of Asylum/Pittsburgh.

MICHELLE GIL-MONTERO has an M.F.A. in Poetry from The University of Iowa and B.A. in English from Brown University. Her translation of Poetry After the Invention of América: Don’t Light the Flower by Andrés Ajens is forthcoming from Palgrave Macmillan in 2011. Her translations have appeared in The Oxford Book of Latin American Poetry, as well as in journals including Beloit Poetry Journal, Jacket, Conjunctions, Words Without Borders, Circumference, and others. Her poems have appeared recently in Colorado Review, Third Coast, Cincinnati Review, and others. She lives in Pittsburgh and teaches English at Saint Vincent College.

ROMAN ANTOPOLSKY was born in Buenos Aires in 1976. His books of poetry include ádelon (Tsé-Tsé, Buenos Aires, 2003), Cythna en red (Intemperie, Santiango de Chile, 2008), and Amor Islam (Lumme Editor, São Paulo, 2011). His translation into Spanish of Lyotard’s Discours, Figure is forthcoming in 2011. He has published translations from Russian, German, English, French, and Portuguese. He lives in Pittsburgh and read his poetry in Jazz Poetry 2008 “What is Home?” performance.

Note: City of Asylum/Pittsburgh’s next reading is on May 3rd, when 330 Sampsonia Way opens its doors for the PEN World Voices Festival, featuring: Hervé Le Tellier (France), David Bezmozgis (Latvia/Canada), and Kyung-sook Shin (South Korea).

Check the Pittsburgh Literary Calendar for more details.

Index on Censorship Freedom of Expression Awards Winners


Index on Censorship’s 11th annual Freedom of Expression Awards were presented yesterday at a ceremony in London. The awards honor those who, often at great personal risk, give voice to issues and stories from around the globe that may otherwise have passed unnoticed.

Bindmans Law and Campaigning Award
Gao Zhisheng

Chinese lawyer Gao Zhisheng has been persecuted by the state for speaking out on human rights issues. Gao, a self-taught lawyer, forged a career representing the underdog in cases involving medical malpractice, land redistribution, employment disputes and forced sterilisation.

He has also defended journalists and religious minorities including Christians and members of Falun Gong. In 2005, he resigned from the Communist Party and wrote an open letter to President Hu Jintao and Prime Minister Wen Jiabao, documenting the suffering of Falun Gong practitioners and calling on the leaders to end their “large-scale, organised” abuse.

Security forces took Gao from his home in Shaanxi province on 4 February 2009. Gao claimed the security forces tortured him. The state denied any knowledge of his whereabouts until January 2010, when a foreign ministry official said the lawyer was “where he should be”. Gao disappeared again in April 2010, and the Chinese state has refused to register him as a missing person.

The Guardian Journalism Award
Ibrahim Eissa

Ibrahim Eissa - Guardian Journalism Award Winner

After accepting the award Ibrahim Eissa said ”I consider this to be a prize for Tahrir Square”.

Ibrahim Eissa is Egypt’s leading independent editor, described as a “one-man barometer of Egypt’s struggle for political and civic freedom”. Throughout his career, he has faced prosecution when his push for media freedom has fallen foul of the government. In 2010, he was fired from his position as editor of the independent newspaper al Dostour, after new owners bought the paper; his popular satellite talk show was also taken off air. His sacking came in the midst of a wider media crackdown in the run-up to the parliamentary elections, when Mubarak’s ruling National Democratic Party emerged victorious amid accusations of unprecedented vote rigging.

When Eissa was sacked from his job last year, the novelist Alaa al Aswany wrote: “Ibrahim Eissa did not oppose the government; he opposed the system … He called for real democratic change through free and fair elections and regular change at the top.

The Intelligent Life Arts Award
MF Husain

MF Husain

Celebrated and critically-acclaimed Indian artist Maqbool Fida (MF) Husain has been battling against censorship in his native India and elsewhere for close to 20 years. Born in 1915, he is recognized as one of India’s greatest living artists. He has lived in exile since 2006.

Husain’s work has caused controversy in sections of the conservative Hindu community, who regard his depiction of Hindu gods and goddesses in the nude as blasphemous and offensive. Husain has received numerous threats and exhibitions of his work have come under attack on several occasions; in India, he has faced hundreds of legal actions relating to his work.

In January 2011, three of Husain’s artworks were removed from the Indian Art Summit in New Delhi following threats. Organizers said they could not guarantee the safety of the artwork or of those visiting the exhibition.

The New Media Award
TuniLeaks

tunileaks

After accepting the award, Sami Ben Gharbia, co-founder of Nawaat, said: “This award is very important to us. It is given to us the very year we are celebrating the Tunisian revolution and seven years of our existence as a collective blog, which was censored from its launch by Ben Ali’s regime.”

TuniLeaks is a selection of the WikiLeaks State Department cables published by Nawaat.org, an independent group blog run by Tunisian net activists.

TuniLeaks, like its parent site Nawaat, is entirely independent and does not receive funds from any political party.

The TuniLeaks cables revealed the extent of the corruption deeply entrenched in many aspects of Tunisian life. Despite attempts to block the site, news of the cables being released swiftly spread around the country and Nawaat helped informal media networks link communities that had been cut off by government censors.

Nawaat highlights how important transparency is in a country like Tunisia, where citizens had for so many years been cut off from vital information and dialogue. “The aim is to get everyone to read, to get an idea and give meaning to the facts provided,” the website states. “The debate is open.”

Learn about all the other nominees.

Knocking on the Door of… Doug Nimmo



Photos: Laura Mustio

Doug Nimmo is the owner of Doug’s Market, a corner store located on the corner of Sampsonia Way and Arch Street in Pittsburgh’s Northside. Sampsonia Way magazine knocked on his door two weeks ago.

During our talk, Nimmo pointed out: “I know many of the people who shop here by their first names.” This small detail is telling: Nimmo’s business is rooted in personal interactions.

Distinguishing touches—like the store’s hand-painted tin ceiling, or the antique pop and cigarette signs that brighten the market’s walls—set Doug’s apart from larger, chain stores.

Growing up in Tennessee during the 60s, Nimmo used to visit his grandparents who lived in Pittsburgh. During the 70s, he worked as a butcher with his father-in-law, where he learned some “tricks of the trade from the old timer.” In 1983, a job delivering meat for Sears brought him from Florida to the Northside. Nimmo liked the place as much as he remembered from his childhood and decided to move to Buena Vista Street. Initially he found work renovating houses before acquiring the market in 1995.

Nimmo has respect for hard work and believes in its benefits: “When I lived in Florida, people who worked long hours would retire and do nothing,” he said. “In a year or two they’d be dead. You have to stay busy; that’s the key to staying young and on top of things.”

Indeed, Nimmo has worked hard to build the business at Doug’s Market; in the early years it wasn’t uncommon to see him there seven days a week, morning till night. Despite this—or maybe because of it—a youthful laugh bubbles out of Nimmo when he talks about how, at 58, he is still doing what he loves.

In this interview, “Doug,” as everybody calls him, also talked about why he loves the Northside, a ghost in the building, and his market’s opening day.

How did you come to open up Doug’s Market?

Old Joe Sabba and his wife had this little corner grocery on Arch Street for 35 or 36 years, and I kept talking to him about it. Randy [Gilson of Randyland] was the one who talked me into buying the place. He said, “You need to buy this from him, he wants to sell it.” And I said, “Oh, I don’t know if I can pull this off…” It took almost a year to put a couple of my houses together as equity for a small business loan, but we closed on the place December 4, 1995.

What attracted you to the neighborhood?

I came here because of the people. I said, “Of all the places I’ve traveled through, Pittsburgh had the friendliest people.” I just love it here. I swore when I moved onto Sherman Avenue 25 years ago that I’d never move again, and I haven’t. I’m still there and I’ll probably die there. There’s nowhere else I want to go. The Northside is such a diverse neighborhood. You’ve got all walks of life here: rich, poor, welfare, doctors, everything in-between, every color and nationality. It’s just a nice little melting pot. Everyone seems to get along too. Nobody cares who you are or what you do or who your partner is. That’s what I like about it.

Was Doug’s popular immediately?

When I bought the place in 1995, the neighborhood was very underserved. There wasn’t a Rite Aid, there wasn’t much around. You had Giant Eagle and Kuhn’s, with us in-between, and that was our heyday. We did unbelievable business. We were working seven days a week, just killing ourselves.

After about seven years into it, my partner Luke got tired; he wanted to move back to Florida and be with his family. He sold out and sold his house across the street, so I took it all myself. But the business was doing too much for one person to handle so I had to do a major scaling back. I used to have a full case of meat. I used to cut quarters of beef down and everything, but it was so labor intensive I couldn’t keep up. In the last four or five years we’ve been moving more toward convenience.

Do you remember Doug’s opening day?

That sticks out in my mind so clearly. That was a crazy morning to start with. We had closed on the deal the afternoon before. So I come in, and it’s my first day in the store, but Luke had another week before he could come in. I’m overwhelmed. So I walked out the front door, ready to open up, and the door closes behind me and I was locked out! I said, “Oh my god! What a way to start the day!” The first day in my store, and I was locked out. Luckily, it was a very old store front, and I was able to get a credit card and pop the lock out.

The first day, I was just so nervous, I said, “Boy I hope I’m not doing the wrong thing. I just hope I can make it here.”

How many people do you employ?

About five. A couple are part-timers, three full-timers. But I’ve got a good crew now—probably the best crew I’ve ever had. I look for people who are good with customers. I hear that from so many people: “You have such nice employees; they’ve got such personality, we like coming here.” And that’s what it takes. You have got to have the edge on the bigger stores, and that’s something that I don’t see a lot of at chain stores. You’ve got to have an employee who, number one, is honest, and, number two, will look after your store. And number three—the biggest thing—is being good with people.

Do you have a particular philosophy about the kind of food that you sell?

I’m fussy about my meat. If I wouldn’t eat it, I’m not going to sell it. It’s that simple. I look at everything as it comes in off of the truck. You can have good customers, buying here for years, but if they get a bad piece of meat, they will never forget it.

Where do you get your meat?

Most of my meat comes from Albert’s Green Valley Packing Company in Washington, PA. They’ve got really nice fresh stuff and deliver twice a week. I’ve been with them for years; I used to get my quarters of beef from them when I still did my own butchering.

I will still cut some nice, thick Delmonico steaks if somebody wants a thicker steak than what’s in the case. I still have a lot of people who come in for a nice, big steak for the grill now and then. We try to cut stuff fresh every day, and if it’s in the case for a day or two, I vacuum pack it and sell it for a reduced price.

What’s the strangest thing that’s ever happened at Doug’s?

They say there’s a ghost in here. I’ve seen things falling off the shelves; I’ve seen the clock start ticking—even the employees couldn’t believe that they were seeing the clock spin around… I heard this from the old owner, I can’t prove it, but he said that back in the 40s one of the butchers hung himself in the basement. We think it’s his ghost. Or I’ll come in the morning or late at night and I’ll hear things falling. We all know there’s a ghost here. He’s not hurting anybody, but he’s clumsy.

You’ve come a long way with Doug’s Market—do you have any plans to retire?

At the beginning we just gave it everything we had because you know that it’s all in your hands, and you just have to make it. The first seven years were the roughest, but then it started running smoother. We narrowed things down, saw what was selling, and tried a couple of things.

I’ve tried to scale it down to the point where I can keep tabs on everything, and now it’s right where I want it. When I first planned on doing this I figured ten years would be enough, but here I am, going into year sixteen now and I’m still at it; I don’t want to quit. This store’s been good to me.

Read Knocking on the Door of… local comedian Barbara Russell

Read Josh’s bio.

Follow the Freedom of Expression Awards, Part II


Index on Censorship has published the shortlist for the Freedom of Expression Awards 2011. The 11th annual Awards honor those who, often at great personal risk, give voice to issues and stories from around the globe that may otherwise have passed unnoticed.

This year’s ceremony, to be held tomorrow, will be hosted by broadcaster Jonathan Dimbleby at the Royal Institution in London, with a keynote speech by Booker Prize-winning novelist Howard Jacobson.

Award judges introduce the nominees in four categories: The Bindmans Award for Law and Campaigning, The Guardian Journalism Award, The Intelligent Life Arts Award and The New Media Award, supported by Google.

Yesterday Sampsonia Way presented the nominees for the first two awards; today we present the candidates for The Intelligent Life Arts Award and The New Media Award.

The Intelligent Life Arts Award

Gurpreet Kaur Bhatti

Gurpreet Kaur Bhatti is a British Sikh playwright and television and radio scriptwriter. Her 2004 award-winning play Behzti (“Dishonor”) met with controversy after its depiction of sexual abuse in a Sikh temple (Gurdwara) caused offence to some members of the local Sikh community. Protests outside the Birmingham Repertory Theatre, where the play was to be performed, turned violent and the theatre cancelled the run. Following death threats, Bhatti went into hiding and was given police protection.

Behud (“Beyond belief”) a sharp satire of censorship in modern-day Britain is Bhatti’s artistic response to the Behzti affair; it was staged in 2010, at the Belgrade Theatre, Coventry and Soho Theatre, London.

The play strikes at the tension between freedom of expression and faith groups’ assertion of the right not to be offended. It is testimony to Bhatti’s commitment to confront hypocrisy and fight for her right to freedom of expression in the face of hostility and potential risk to her personal safety.

Jafar Panahi


Iranian director Jafar Panahi has received international recognition for his films, which include The Circle, White Balloon — winner of a Camera d’Or at Cannes in 1995 — and the award-winning Offside, the story of a young female football fan.

In July 2009, Panahi was detained briefly after he joined mourners at the grave of Neda Soltan, the young protester who became an icon of the country’s “Green Revolution” when she was shot dead. He was arrested again in March 2010 and taken from his home to Tehran’s Evin prison. The international film community rallied, with numerous petitions and letters sent to the Iranian authorities demanding his release. He was released on bail in May. Last December he was found guilty of colluding against the Islamic republic and sentenced to six years in prison. He has been banned from travelling for 20 years and from making films for the same period.

MF Husain


Celebrated and critically-acclaimed Indian artist Maqbool Fida (MF) Husain has been battling against censorship in his native India and elsewhere for close to 20 years. Born in 1915, he is recognized as one of India’s greatest living artists. He has lived in exile since 2006.

Husain’s work has caused controversy in sections of the conservative Hindu community, who regard his depiction of Hindu gods and goddesses in the nude as blasphemous and offensive. Husain has received numerous threats and exhibitions of his work have come under attack on several occasions; in India, he has faced hundreds of legal actions relating to his work.

In January 2011, three of Husain’s artworks were removed from the Indian Art Summit in New Delhi following threats. Organizers said they could not guarantee the safety of the artwork or of those visiting the exhibition.

The New Media Award

TuniLeaks by Nawaat


TuniLeaks is a selection of the WikiLeaks State Department cables published by Nawaat.org, an independent group blog run by Tunisian net activists.

TuniLeaks, like its parent site Nawaat, is entirely independent and does not receive funds from any political party.

The TuniLeaks cables revealed the extent of the corruption deeply entrenched in many aspects of Tunisian life. Despite attempts to block the site, news of the cables being released swiftly spread around the country and Nawaat helped informal media networks link communities that had been cut off by government censors.

Nawaat highlights how important transparency is in a country like Tunisia, where citizens had for so many years been cut off from vital information and dialogue. “The aim is to get everyone to read, to get an idea and give meaning to the facts provided,” the website states. “The debate is open.”

The Tor Project


Tor enables whistleblowers, dissidents and activists to communicate safely.
It began as The Onion Router project in 2002, originally sponsored by the US Naval Research Laboratory. Among its founders are Roger Dingledine, Nick Mathewson and Paul Syverson.

Designed to increase privacy and security, internet users are able to access censored sites via a third party and conceal their browsing history. Communications via instant messaging are similarly protected. The Tor system is continuously updated and developed in order to address the vulnerability inherent within web-based systems. The software “does not modify, or even know, what you are sending into it”, the Tor site states. “It merely relays your traffic, completely encrypted through the Tor network and has it pop out somewhere else in the world, completely intact.”

The use of Tor technology in Egypt increased fourfold in the weeks leading up to the overthrow of Hosni Mubarak, and a similar pattern was seen in Tunisia.

Wen Yunchao


Wen Yunchao is a Guangdong-based internet activist. Writing for platforms including the now banned bullog.cn, Wen established himself as one of China’s best-known bloggers under the alias Bei Feng. He started his career as a news reporter before becoming the editor of Guangzhou’s Yangcheng Evening News website. In 2009, Wen left to research internet censorship. He has spoken about his work as a censor and member of the “50 cent” group (state-funded commenters paid 50 cents for every pro-government comment).

Wen now works to remove restrictions on information and champions freedom of speech. When Southern Weekly editor Chang Ping was fired in early 2011, Wen Yunchao helped spread the word, organising netizens to donate to Chang Ping’s account to show their support. He also organised Twitter’s “empty chairs” event to mark Liu Xiaobo winning the Nobel Peace Prize.
Wen was among the second group of signatories of Charter 08, the manifesto signed by more than 350 Chinese intellectuals and human rights activists.

Madwomen in the Attic 30th Anniversary Celebration


Today, Madwomen in the Attic will celebrate three decades of writing workshops for women with readings by and in honor of founders Ellie Wymard and Marilyn P. Donnelly and Jane Candia Coleman, the program’s first director.

In 1979, writer Tillie Olsen gave a reading at Carlow College (now Carlow University) and was mobbed by students with questions afterward. Recognizing the need for writing workshops for women, Wymard, Donnelly, and Coleman started Madwomen in the Attic.

The program, housed at Carlow and open to the public, has grown significantly over the years. Currently, they offer six different workshops that meet throughout the week on Carlow’s campus. More than 60 students enroll in each twelve-week session. Students can choose workshops in poetry, fiction, and creative non-fiction.

“The Madwomen workshops have expanded because of the dynamic leadership and nurturing talent of the three directors: Jane Coleman, Patricia Dobler and Jan Beatty,” said Wymard, who is now the director of Carlow’s MFA program in Creative writing.

“I am most proud that Madwomen workshops have given about 500 Pittsburgh women the satisfaction of writing a worthy poem, a fine short story, a heartfelt memoir,” she added.

The event takes place March 23 at Carlow University’s Kresge Theatre and beginning at 7:30pm. It is free and open to the public.

Get all the details of the event (click image).
Madwomen in the Attic 30th Anniversary

Read more about the history of the Madwomen in the Attic.

Forget the Oscars, Follow the Freedom of Expression Awards



Index on Censorship has published the shortlist for the Freedom of Expression Awards 2011. The 11th annual Awards honor those who, often at great personal risk, give voice to issues and stories from around the globe that may otherwise have passed unnoticed.

This year’s ceremony, to be held this coming Thursday March 24, will be hosted by broadcaster Jonathan Dimbleby at the Royal Institution in London, with a keynote speech by Booker Prize-winning novelist Howard Jacobson.

Award judges introduce the nominees in four categories: The Bindmans Award for Law and Campaigning, The Guardian Journalism Award, The Intelligent Life Arts Award and The New Media Award, supported by Google.

Today Sampsonia Way presents the nominees in the two first categories.

The Bindmans Award for Law and Campaigning

David Coombs

David Coombs is the criminal defence lawyer leading the defence of Specialist Bradley Manning, the 23-year-old US army intelligence analyst accused of leaking classified material to WikiLeaks. Manning faces a court martial and up to 52 years in prison.

Despite Coombs’s complaints, Manning has been held in solitary confinement in a military brig on a Prevention of Injury (POI) order since July 2010. This order, usually used for short periods prior to a psychological evaluation, limits his social contact, news consumption, ability to exercise and sleep. Coombs has used his blog to detail Manning’s experiences in solitary confinement.

Coombs called an assertion by a Pentagon Press Secretary that Manning is being treated like every other detainee at the Quantico brig “patently false”. His work has been pivotal in making Manning’s ordeal public.

Gao Zhisheng

Chinese lawyer Gao Zhisheng has been persecuted by the state for speaking out on human rights issues. Gao, a self-taught lawyer, forged a career representing the underdog in cases involving medical malpractice, land redistribution, employment disputes and forced sterilisation.

He has also defended journalists and religious minorities including Christians and members of Falun Gong. In 2005, he resigned from the Communist Party and wrote an open letter to President Hu Jintao and Prime Minister Wen Jiabao, documenting the suffering of Falun Gong practitioners and calling on the leaders to end their “large-scale, organised” abuse.

Security forces took Gao from his home in Shaanxi province on 4 February 2009. Gao claimed the security forces tortured him. The state denied any knowledge of his whereabouts until January 2010, when a foreign ministry official said the lawyer was “where he should be”. Gao disappeared again in April 2010, and the Chinese state has refused to register him as a missing person.

Sherry Rehman

Sherry Rehman is a member of Pakistan’s parliament and chair of the Jinnah Institute, a think tank committed to “policies that promote fundamental rights, tolerance and pluralism”. For ten years Rehman served as editor-in-chief of the Herald, and from 1988 to 1998 she served as a member of the Council of Pakistan Newspaper Editors.

In November 2010, Rehman submitted a bill proposing amendments to Pakistan’s blasphemy law, which is routinely used to silence dissent and as a tool of intimidation against non-Muslims and members of minority Muslim sects.

Rehman and her late PPP colleague Salman Taseer were vocal critics of Pakistan’s blasphemy law. They were vociferous in their support of Aasia Bibi, a Christian woman sentenced to death after Muslim neighbours claimed she had blasphemed against Islam following an argument. After the assassination of Taseer by his bodyguard, Rehman was forced to withdraw her bill in February 2011.

The Guardian Journalism Award

Chiranuch Premchaiporn

Chiranuch Premchaiporn is the executive director and co-founder of the Thai online news site Prachatai (“Thai people”). She is also a founding member of Thai Netizen Network (TNN), a group of media activists, internet users, bloggers and IT academics who monitor violations of freedom of expression on the internet.

She is currently on trial, facing up to 50 years in jail, for comments posted on Prachatai that were critical of the monarchy. The comments were posted by a user; Chiranuch removed the comments after she was contacted by officials from the Ministry of Information. She is being prosecuted under both the Computer Crimes Act of 2007 and lèse majesté legislation, which makes criticism of the king an offence. The case is seen as part of a crackdown on the media in Thailand, targeting satellite television news stations, community radio stations, print publications and websites aligned with anti-government advocates. The trial resumes in the autumn.

Ibrahim Eissa

Ibrahim Eissa is Egypt’s leading independent editor, described as a “one-man barometer of Egypt’s struggle for political and civic freedom”. Throughout his career, he has faced prosecution when his push for media freedom has fallen foul of the government. In 2010, he was fired from his position as editor of the independent newspaper al Dostour, after new owners bought the paper; his popular satellite talk show was also taken off air. His sacking came in the midst of a wider media crackdown in the run-up to the parliamentary elections, when Mubarak’s ruling National Democratic Party emerged victorious amid accusations of unprecedented vote rigging.

When Eissa was sacked from his job last year, the novelist Alaa al Aswany wrote: “Ibrahim Eissa did not oppose the government; he opposed the system … He called for real democratic change through free and fair elections and regular change at the top.

Read about the nominees for The Intelligent Life Arts award and The New Media award

Terrance Hayes: “Cocktails with Orpheus”



From the New York Times’ blogs


Terrance Hayes reading at Cornell University

“Hayes, who The New York Times dressed for the Men’s Issue, reads this poem Cocktails with Orpheus from his National Book Award-winning collection, Lighthead, at the Mattress Factory Museum in Pittsburgh. Seen here in an elegantly photographed video by Pierce Jackson, Hayes…sits surrounded by scorched boxes, reading to us about fire and liquid, light and ash.”

WATCH THE VIDEO

READ the convestation between Terrance Hayes and Lynn Emanuel published on Sampsonia Way Magazine.

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