In this interview with Sampsonia Way, the Venezuelan cartoonist Rayma talks about the ways she has found to represent Chavez’s forbidden face as well as her thoughts on freedom of the press and violence in Venezuela.
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Self-described book smuggler Tony Diaz, nicknamed “El Libro-Traficante”, is set to launch a small caravan to bring carloads of controversial books into Arizona that were recently banned by public school officials in Tucson after the city suspended its acclaimed Mexican-American Studies program due to a state ban on the teaching of ethnic studies.
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Thai courts are refusing bail for journalists and activists charged with the crime of lese majeste for apparently political reasons. Thai law criminalizes the expression of peaceful opinions deemed offensive to the institution of the monarchy.
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Launched by Reporters Without Borders in 2008, World Day Against Cyber-Censorship (on March 12, 2012) is intended to rally everyone in support of a single Internet without restrictions that is accessible to all.
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Daniil Kislov, founder and editor-in-chief of Ferghana News, paints a bleak outlook for journalism in Uzbekistan and says the independent media in the country is in a “deep freeze.”
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Tsering Woeser, the award-winning Tibetan writer and blogger, has been barred from collecting the Prince Claus Award at the Dutch Embassy in Beijing and was issued a month-long house arrest order.
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Cartoonist Aseem Trivedi, charged with treason and insulting national symbols for his political cartoons, vows to defend his work and continue his campaign against corruption and censorship in India.
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For a growing number of Turkmen youth, rap music has become a way to express their daily struggles and inspire political change in one of the world’s most oppressive countries.
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In this interview cyberactivists Ameer and Syrian Thinker talk about the Syrian government’s current surveillance of Twitter, the groups of activists known as “coordinations” that disseminates news via Twitter and Facebook, and the methods Syrian bloggers use to work around the government’s censorship.
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In this interview Khet Mar describes her childhood in a fishing village, the inspiration to become a writer, the political uprising and her life in prison, how she was released, her subsequent disaster relief work, and the risks she took in reporting.
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