Burmese actor Kyaw Thu became a social activist, founding two non-profits, at a hefty price—his work in the film industry was banned for five years.
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Bina Shah discusses the political narratives governments and citizens create and how these narratives ultimately distort the truth in some way.
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Orlando Luis Pardo Lazo argues that even though journalist Yoani Sanchez is now able to travel abroad, “Castroism” continues to affect her off the island.
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Orlando Luis Pardo Lazo argues that even though journalist Yoani Sanchez is now able to travel abroad, “Castroism” continues to affect her off the island.
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PEN Turkey President and columnist Tarik Günersel presents several cases from Turkey of falsely imprisoned and targeted journalists and writers.
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As the centennial of Albert Camus’ birth approaches, Horacio Castellanos Moya looks at the legacies that can haunt writers, even posthumously.
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As the centennial of Albert Camus’ birth approaches, Horacio Castellanos Moya looks at the legacies that can haunt writers, even posthumously.
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Despite facing censorship and interference from Chinese authorities, blogger Li Chengpeng’s recently published The Whole World Knows became a phenomenal success.
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Israel Centeno uses the film Blade Runner to describe the political engineering of an immortal “cyber life” for Hugo Chávez.
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Barlen Pyamootoo reflects on his three-month residency with City of Asylum/Pittsburgh and discusses the transnational nature of literature.
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