Cartoonist Makhmud Eshonkulov (Uzbekistan) notes the military’s increasing power in Egypt.
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Mustafa Haji Abdinur works as correspondent for Agence-France-Presse in Mogadishu and is founder and editor-in-chief of the independent station Radio Simba. He spoke with IFEX about why he feels like a “dead man walking,” and what he thinks can be done to tackle impunity in his country.
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In this segment of The Writer’s Block, Manuel Gonzales, author of The Miniature Wife and Other Tales talks about genre classification, why he writes better when stressed, and his work with the Austin Bat Cave.
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Last October, Hamdy El-Gazzar wrote about Karam Saber, an Egyptian writer who was sentenced to five years in prison for “contempt- and defamation of religion” in his short story collection, Where is God. On March 11, the Beba Misdemeanour Court in Beni Sueif upheld this sentence.
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Cartoonist Pedro X. Molina comments on the continued stability of Venezuelan president Nicolás Maduro despite weeks of protests.
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In this week’s column Yaghoub Yadali talks about the construction, danger, and humanity of Iranian heroes, past and present.
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Latvian cartoonist Gatis Sluka comments on the threat Russia presents to Baltic countries.
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In this piece cartoonist Sergei Tunin (Russia) notes the withdrawal of attendance from the 2014 G8 summit in Sochi, Russia.
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What kind of literature might emerge in Burma, post-censorship? James Byrne, co-editor of the Burmese poetry anthology Bones Will Crow, reports on how government reforms are changing the literary landscape for writers and publishers, and how the rosy future of Burmese literature is really just a “surface reality.”
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In this cartoon Lai Lorne (Burma) contemplates the future of the Irrawaddy River if the Myitsone dam is completed.
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