In this video, Pulitzer-prize winning poet Natasha Trethewey reads at an event hosted by Cave Canem and City of Asylum Pittsburgh, which also featured poets Toi Derricotte, Cornelius Eady, and special guest Amiri Baraka.
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In this video Cornelius Eady reads his poetry at a reading hosted by Cave Canem and City of Asylum Pittsburgh. Eady has published eight books of poetry, including Brutal Imagination, a finalist for the National Book Award.
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In this video, Amiri Baraka reads his poem “Something in the way of things (In Town)” at a reading hosted by Cave Canem and City of Asylum Pittsburgh. The poem manifests Baraka’s quest for social justice.
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Sala Udin sits down with poet and activist Amiri Baraka to discuss politics, the future of black art, and the consequences of making political art in America. Their lively conversation is sprinkled with personal memories, sharp political commentary and humor.
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Sala Udin sits down with poet and activist Amiri Baraka to discuss politics, the future of black art, and the consequences of making political art in America. Their lively conversation is sprinkled with personal memories, sharp political commentary and humor.
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Amiri Baraka reads four of his poems: “In Town,” “Lowkus,” “Play Dat,” and “Who Blew Up America?” On June 23 Baraka joined poets Toi Derricotte, Cornelius Eady and Natasha Trethewey for a joint reading by Cave Canem and City of Asylum Pittsburgh.
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In this video from 2010′s Cave Canem reading, poet and Cave Canem fellow Colleen J McElroy reads four of her poems: “Military Woman Evolution,” “R & R,” “Fairytales,” and “Caught in the Crosswalk.”
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On Thursday June 23, City of Asylum/Pittsburgh partnered with the African-American poetry collective Cave Canem to host a reading with poets Toi Derricotte, Cornelius Eady, Natasha Trethewey, and Amiri Baraka.
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In June 2011, Sampsonia Way asked poet Cornelius Eady if there was a personal story that made him believe Cave Canem, an organization of African-American poets he co-founded in 1996, was an indispensable institution in the …
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This poem, from his book The Gathering of My Name, is Cornelius Eady’s response to Sampsonia Way‘s request for a personal story that spoke of his belief in Cave Canem, the organization of African-American poets he co-founded with fellow poet Toi Derricotte.
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