In this interview filmmaker Bernardo Ruiz talks about REPORTERO, a documentary on press freedom inside Mexico, meeting and following the real “characters” in his film, and the history of violence on reporters in Mexico.
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Egyptian authorities banned the screening of a Cairo Exit, a film depicting a love story between a Muslim man and Coptic Christian woman. Hesham Issawi’s film was slated to be screened on February 27 at the Luxor African Film Festival.
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Sanjay Kak’s film Jashn-e-Azadi (How We Celebrate Freedom), which is controversial for its critical view of the Indian military’s role in Kashmir, was pulled from a seminar at Symbiosis College in Pune, India, after protests by fundamentalist Hindu student group.
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Israeli-Palestinian actor Juliano Mer-Khamis, killed in April 2011, founded the Freedom Theatre, a theater of resistance that continues to fight for cultural freedom in Palestine.
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Poet, translator and political commentator Ko Ko Thett reviews the documentary film They Call It Myanmar, which he describes as “sobering even for a Burmese” for its graphic portrayal of destitution in Burma.
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Des pieds, mon pied (Some feet, My foot), Kanor’s short, experimental documentary is framed around her quest for a home, for integration—or as a psychologist in the film states, the quest to “lay down…the heavy bags” she is carrying.
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Michelle Yeoh Choo-Kheng, who stars as Aung San Suu Kyi in Luc Besson’s film The Lady was deported by the authorities in Yangoon, Burma.
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In this interview, documentary filmmaker Jeanne Hallacy discusses the dangers of filming in Burma, how compassion guides the pro-democracy movement, and what you can do to help political prisoners.
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Khet Mar, a City of Asylum Pittsburgh writer-in-residence, is on the road with Writers in Motion, a two week study tour of the Mid-Atlantic and the American South, sponsored by the University of Iowa’s International Writing Program.
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Sampsonia Way's companion guide to City of Asylum’s Exiled Voice of China and Tibet literary event, featuring standout pieces from its three year coverage of exiled and persecuted writers. READ
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