Writer Horacio Castellanos Moya examines how journalists, not writers and intellectuals, are the new targets of the powerful elite. In Latin America, pursuing investigative journalism, like that of Lydia Cacho, can be a death sentence.
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In this week’s Corkscrew writer Horacio Castellanos Moya explains the effects that Spain’s financial crisis will have on Latin American industry, development, and immigration.
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In this week’s Corkscrew novelist Horacio Castellanos Moya reviews The Civilization of Entertainment, a collection of essays by Peruvian author and Nobel laureate Mario Vargas Llosa.
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In this week’s Corkscrew writer Horacio Castellanos Moya compares the recent impeachment of Paraguayan president Fernando Lugo to the ousting of Honduran president Manuel Zelaya, and asks “Who’s next?”
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To mark the one-year anniversary of the “Day of Revolt” that triggered the Egyptian Revolution, we share our coverage of events the from last year, including interviews with journalists, bloggers, and writers, as well as personal statements from imprisoned activists, among other articles.
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From Kenyan poet Philo Ikonya to National Book Award-winner Terrance Hayes, Sampsonia Way has featured the work of poets and novelists from around the world, many of whom have dealt first-hand with censorship and persecution.
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To mark IFEX’s International Day to End Impunity, we asked Latin American writers who have contributed to Sampsonia Way to write about the importance of fighting impunity in their home countries.
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The following selection of Sampsonia Way author interviews published in 2011 feature diverse voices from around the world sharing their views on the creative process, politics and culture, and their own struggle to defend freedom of expression.
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On July 27, former City of Asylum writer-in-residence Horacio Castellanos Moya bid Pittsburgh farewell with a reading from Tyrant Memory, his newest novel to be translated into English.
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Castelllanos Moya is not optimistic about the future of Egypt, or any country under military control. He also expresses his doubts about the effectiveness of popular uprisings and technology’s ability to bring about real democratic change.
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