Cartoonist Aseem Trivedi, charged with treason and insulting national symbols for his political cartoons, vows to defend his work and continue his campaign against corruption and censorship in India.
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Sanjay Kak’s film Jashn-e-Azadi (How We Celebrate Freedom), which is controversial for its critical view of the Indian military’s role in Kashmir, was pulled from a seminar at Symbiosis College in Pune, India, after protests by fundamentalist Hindu student group.
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In this essay, journalist and author Salil Tripathi, explains how outdated Colonial-era legislation is being used to curtail free expression, exemplified by the legal proceeding filed against four authors who read aloud from Salman Rushdie’s novel The Satanic Verses.
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Several Internet companies, including the Indian subsidiaries of Google and Facebook, announced on 6 February that they had complied with Indian court directives to remove from their sites content deemed objectionable.
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Three poems from Meena Kandasamy’s collection Ms. Militancy are presented to defy the recent persecution of writers like Salman Rushdie and Taslima Nasrin in India. In Ms. Militancy Kandasamy retells Hindu and Tamil mythology through a feminist perspective.
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In this interview writer Easterine Kire discusses the psychological effects of the occupation of her native Nagaland (India), the important (and endangered) art of spoken word, and the power of folklore to preserve peace.
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Though it is not certain why Masood was killed, it is widely assumed that it was due to her promotion of the Right to Information Act, which is designed to give Indian citizens access to any document created by a public authority.
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In this interview with Meena Kandasamy, SujeethG speaks about his work, the importance of protest music in a revolutionary struggle, and hip hop’s ability to transform the meaning of the material it appropriates.
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Two poems from Meena Kandasamy’s Ms. Militancy, a poetry collection that retells Hindu and Tamil myths from a feminist and anti-caste perspective. Kandasamy uses her poetry like a scalpel to dismantle stereotypes.
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Two poems by Leena Manimekalai: What do you want? and The Ocean that exceeded the tongue. Manimekalai’s work has been censored in India and has been criticized by both religious conservatives and “ultra left fanatics”.
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