Bina Shah explains her views on a writing career by addressing the three questions that she is asked most often about writing.
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For City of Asylum/Pittsburgh’s upcoming Exiled Voices of China Tibet event, Sampsonia Way has curated standout pieces from our coverage of exiled and persecuted writers.
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In part II of a series on the future of Spain’s literary market, Horacio Castellanos Moya discusses the role of corporations and small, independent publishers.
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Horacio Castellanos Moya chronicles past epicenters for Latin American literature and ponders whether Spain’s status is threatened by its economic crisis.
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Israel Centeno uses the film Blade Runner to describe the political engineering of an immortal “cyber life” for Hugo Chávez.
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Barlen Pyamootoo reflects on his three-month residency with City of Asylum/Pittsburgh and discusses the transnational nature of literature.
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In this interview, Natasha Wimmer talks about becoming a translator, learning about Bolaño, and the United States’ relationship with literature in translation.
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In part one of a series on freedom in society, Israel Centeno uses Aldous Huxley’s Brave New World to dissect liberal dystopias and a future without freedom.
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Sampsonia Way presents the first chapter from Bénarès, a novel by Barlen Pyamootoo. Pyamootoo is participating in a short-term residency at City of Asylum/Pittsburgh.
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Sampsonia Way presents an excerpt from Bénarès by Barlen Pyamootoo. Pyamootoo is participating in a short-term residency at City of Asylum/Pittsburgh.
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Sampsonia Way's companion guide to City of Asylum’s Exiled Voice of China and Tibet literary event, featuring standout pieces from its three year coverage of exiled and persecuted writers. READ
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