Sampsonia Way shares an exclusive excerpt from Liao Yiwu’s For a Song and a Hundred Songs that details his 1990 arrest and the arrests of others in his circle.
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This Q&A with Guatemalan author Eduardo Halfon reveals his own story as an author and as the grandson of a man who survived Auschwitz.
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Barlen Pyamootoo reflects on his three-month residency with City of Asylum/Pittsburgh and discusses the transnational nature of literature.
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Lebanon-based poet Mazen Zahreddine discusses why he doesn’t think in terms of nationality, publishing his works illegally, and working with Poeticians.
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Zena el Khalil discusses how her poems in the anthology try to defy the status quo in order to push Middle Eastern literature into the global spotlight.
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Poet Nigel Holt discusses how poetry in the Middle East is “a game of literary Russian roulette” and the disconnect between East and West literature.
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Poet Frank Dullaghan discusses writing from the perspective of a woman, topics banned in Dubai and the idea of self-censorship.
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Poet Jehan Bseiso discusses the importance of Poeticians, self-censorship in the Middle East, and her latest collection of poetry.
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Poet Zeina Hashem Beck discusses Middle Eastern literature, her connection to her Lebanese identity, and the charm of Beirut.
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Palestinian poet and filmmaker Hind Shoufani discusses the importance of uncensored writing in the Middle East, in our series of interviews with nine writers whose work appears in the anthology Nowhere Near a Damn Rainbow: Unsanctioned Writing from the Middle East.
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Sampsonia Way's companion guide to City of Asylum’s Exiled Voice of China and Tibet literary event, featuring standout pieces from its three year coverage of exiled and persecuted writers. READ
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