Sampsonia Way shares links to articles, editorial columns, and statements on the recent scandal concerning the US government and press freedom.
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This week, literary greats on censorship; Cuban dissident blogger Yoani Sanchez arrested; portraits of Burmese activist; anti-cybercrime law sparks protests in Philippines; UN passes journalist safety resolution; and news from Cambodia, Malaysia.
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A look at countries with anti-terrorism laws where journalists and writers are in danger, or have been convicted of associating with alleged terrorist forces. These laws outline provisions for indefinite and undisclosed detainment of citizens without trial, including for publishing information on “terrorist” groups.
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The Obama administration is facing scrutiny for its role in the imprisonment of a Yemeni journalist who exposed how the United States was behind a 2009 bombing in Yemen that killed 14 women and 21 children. We speak to Mohamed Abdel Dayem of CPJ and investigative journalist Jeremy Scahill.
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Poet, translator and political commentator Ko Ko Thett reviews the documentary film They Call It Myanmar, which he describes as “sobering even for a Burmese” for its graphic portrayal of destitution in Burma.
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Sala Udin sits down with poet and activist Amiri Baraka to discuss politics, the future of black art, and the consequences of making political art in America. Their lively conversation is sprinkled with personal memories, sharp political commentary and humor.
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Sala Udin sits down with poet and activist Amiri Baraka to discuss politics, the future of black art, and the consequences of making political art in America. Their lively conversation is sprinkled with personal memories, sharp political commentary and humor.
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In this interview, writer Philo Ikonya talks about her writing, activism, being a mother in exile, and freedom of expression in Kenya. Now president of PEN Kenya, Ikonya has been arrested multiple times for protesting, was severely beaten while in police custody in 2009.
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In this interview, poet Cornelius Eady discusses the motivation behind founding Cave Canem, the contempt of institutionalized racism, and the political hi-jacking of our collective narratives.
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