This poem, from his book The Gathering of My Name, is Cornelius Eady’s response to Sampsonia Way‘s request for a personal story that spoke of his belief in Cave Canem, the organization of African-American poets he co-founded with fellow poet Toi Derricotte.
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In this interview, poet Cornelius Eady discusses the motivation behind founding Cave Canem, the contempt of institutionalized racism, and the political hi-jacking of our collective narratives.
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Organizing the exhibition “Queloides: Racism and Race in Cuban Contemporary Art” has been a mix of obstacles, audacity, and adventure. The Mattress Factory Museum exhibit was first shown earlier this year in Havana and the curator Alejandro de la Fuente was unable to attend. He was banned from Cuba and later expelled from the country when he tried to visit family in Havana.
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Sampsonia Way's companion guide to City of Asylum’s Exiled Voice of China and Tibet literary event, featuring standout pieces from its three year coverage of exiled and persecuted writers. READ
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