Read a poem by Jennifer Clement, poet and former president of PEN Mexico.
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I was born a few days before the end of 1970, but as it is for every Iranian of my generation, my story truly begins with the revolution. The events of 1979 transformed our world in ways that we are still struggling to understand.
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Robert Darnton’s new book examines the effect state censorship had on literature in Communist East Germany, antebellum France, and 18th century colonial India.
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The Village Indian tells author Abbas Khider’s own story of exile. With elements of both tragedy and comedy, the following excerpt – Chapter 6: The Miracles – details the many “miracles” that allow Khider’s fictional protagonist, Rasul Hamid, to flee from Iraq to Germany.
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Two poems from Bones Will Crow, the first anthology of contemporary Burmese poetry translated into English: “Achilles’ Heel” by Khin Aung Aye and “The Sniper” by Pandora. Both poems are translated by the poet Ko Ko Thett.
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“So by the end of the day, you are just their mirrors, and what you do is just a reflection of who they are. And in fact, it is also a reflection of who you are.”
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Last summer, Damon Young — the writer, critic, and humorist — partnered with City of Asylum to host a six-episode series called “How to Survive in America” in which he interviewed some of his favorite writers about writing, race, living through COVID-19, and everything in between.
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Alane Salierno Mason revisits the early days of Words Without Borders and shares a brief glimpse of her time as an at W.W. Norton.
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Ethiopian novelist and poet Bewketu Seyoum discusses his writing process, how he remains connected to Ethiopia, and how the pandemic has inspired his writing.
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“Over time, I realized as I found my native language of expression, it led to poetry … and once I had that freedom in sign language, it led to so much more.” — Douglas Ridloff
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With the ongoing struggles to prevent American history from being whitewashed in classrooms, which we’ve recently seen in Trump’s attack on the 1619 Project, we can’t ignore the removal of Beloved from high school curriculums. It’s journey, it seems, is likely not yet over.
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If I love Nicaragua, I must criticize Nicaragua — Nicaragua, as a society, as a government — because I care about it. … No healthy patriotism comes from the notion that the things you love are above critique. Where there is injustice, oppression, flawed systems within your society, country, government, religion, family, we must speak out.
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