by Lisa Brunner
Today on the morning commute, I decided that my soul could use a little Bernstein. Not decided. That’s too weak. Craved. The way I craved my coffee — a craving that doesn’t release until I burn my fingers on the mug. …
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With the ongoing struggles to prevent American history from being whitewashed in classrooms, which we’ve recently seen in Trump’s attack on the 1619 Project, we can’t ignore the removal of Beloved from high school curriculums. It’s journey, it seems, is likely not yet over.
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But what does “inappropriate” mean? Too inappropriate for your current age? Inappropriate because of ideals you don’t hold? Suggestive of alternative lifestyles? Yes — to all of the above.
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“We are trying our best to bring forth every strand of Latinidad and also be able to put the idea of “Latinidad” under a microscope and criticize it and dig up its dirt and try to shut down anti-blackness. We’re starting to come to terms with the fact that Latinx isn’t a race, even if it is a marginalized group heavily targeted by the president. Everything is constantly redefining itself and it’s nice to be a part of the cycle.”
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For many of these writers, their Latinx identity and commitment to their craft are inseparable. Jiménez says she has been writing poetry for as long as she can remember — and being Latinx, being Puerto Rican, is a crucial part of that. “I think that’s the way most of us see our artmarking,” she says. “That’s just a part of who we are, and how we move in the world.”
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This series — Latinx & Proud! — is a look into the world of Latinx literature and the poets who use language to explore the boundaries of their communities and identities. By sharing these interviews and articles, we hope […]
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Keith S. Wilson is a poet, Cave Canem fellow, and video game designer. Keith is originally from California, and spent his teen years and early twenties in Kentucky before settling in Chicago. His debut book Fieldnotes […]
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