by James Croal Jackson Death is in the shriveled blue and purple hydrangea bouquet I gifted you. Kathy bought the same, smaller, but they did not last so much as linger. Mom calls me from Macy’s— […]
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Lady Liberty
your huddled masses have arrived
and we can’t breathe.
Lady Liberty
You need glasses
If I love Nicaragua, I must criticize Nicaragua — Nicaragua, as a society, as a government — because I care about it. … No healthy patriotism comes from the notion that the things you love are above critique. Where there is injustice, oppression, flawed systems within your society, country, government, religion, family, we must speak out.
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“We are trying our best to bring forth every strand of Latinidad and also be able to put the idea of “Latinidad” under a microscope and criticize it and dig up its dirt and try to shut down anti-blackness. We’re starting to come to terms with the fact that Latinx isn’t a race, even if it is a marginalized group heavily targeted by the president. Everything is constantly redefining itself and it’s nice to be a part of the cycle.”
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For many of these writers, their Latinx identity and commitment to their craft are inseparable. Jiménez says she has been writing poetry for as long as she can remember — and being Latinx, being Puerto Rican, is a crucial part of that. “I think that’s the way most of us see our artmarking,” she says. “That’s just a part of who we are, and how we move in the world.”
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This series — Latinx & Proud! — is a look into the world of Latinx literature and the poets who use language to explore the boundaries of their communities and identities. By sharing these interviews and articles, we hope […]
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Keith S. Wilson is a poet, Cave Canem fellow, and video game designer. Keith is originally from California, and spent his teen years and early twenties in Kentucky before settling in Chicago. His debut book Fieldnotes […]
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